From Celeste Rapone's evocation of not-so-blissful domesticityat Josh Lilley, London, to Leo Robinson’s dense webs of allusion and appropriation at Chapter, Cardiff
From Sonia Boyce’s triumphant Venice installation at Turner Contemporary, Margate, to an exhibition that channels artists’ spiritual relationship with nature at Modern Art, London
At Brighton CCA, the artist’s latest participatory installation invites audiences to comb for gold in tonnes of stones transported from the nearby coast
At Baltic, Gateshead, the artist’s first solo institutional exhibition examines the pernicious effects of Britain’s oil interests in the Kurdistan Region